TY - ADVS
T1 - Half the World is Sleeping (2024) [Short Film]
AU - Dean, Levi
AU - Gilardi, Filippo
AU - Kennedy, Helen
N1 - Director: Yuchen Peng
Producer: Yifan Kang and Dr Levi Dean
Written by Katie Lymn
Production Manager: Dr Levi Dean
Executive Producer: Dr Filippo Gilardi and Professor Helen Kennedy
Director of Photography: Damien Tomaselli
1st Assistant Camera and Focus Puller: Levi Dean
2nd Assistant Camera: Jiawei Yao
Key Grip: Jiawei Yao
On-Set Technician: Thomas Zhao
DIT: Xinyi Huang
1st Assistant Director: Xuanshuo Li
2nd Assistant Director: Yiming Zhang
Casting Manager: Yongxu Zhan
Continuity: Yiming Zhang
Assistant Producer: Erhan Xie
Production Assistants: Handy Dermawan, Jinyi Wang, Shengge Zhang, Runzhi Sue and Yunwen Yan
Catering: Yong's Zhan and Yifan Kang
Set Manager: Levi Dean
Gaffer: Thomas Zhao
Lighting Assistants: Jiaxuan Wang, Yunwen Yan and Runzhi Xue
Boom Operators: Yaxin Zheng and Shenhao Li
Sound Mixers: Yaxin Zheng and Shenhao Li
Sound Technician: Thomas Zhao
Art Director: Jihuilin Wu
1st Assistant Art Director: Yirong Xu
2nd Assistant Art Director: Shengge Zhang
Key Make-up Artist: Yirong Xu
Make-up Artists: Jihuilin Wu and Shengge Zhang
Prop Master: Jihuilin Wu
Costume Designers: jihuilin Wu, Yirong Xu and Shengge Zhang
Editors: Qingxuan Xia and Landuo
Colorists: Landuo Du and Yuchen Peng
Sound Designer: Yaxin Zheng and Shenhao Li
Sound Design and Sound Mixing Consultant: Richard Frenneaux
Supported by Ningbo Hosting Elevator
Supported by Arts Humanities and Research Council (AHRC)
Supported by ARRI China
Supported by Research Priority Group in Short-Film Studies, Institute of Asia and Pacific Studies, Faculty of Humanities and Social Sciences, University of Nottingham Ningbo China
Supported by Ningbo Short Film Association
Audio-Visual Equipment Sponsored by University of Nottingham Ningbo China (UNNC), Faculty of Humanities and Social Sciences, School of International Communications (IC), Audio-Visual LAB
With Special Thanks to: Department of Campus Life (DCL) at the University of Nottingham Ningbo China; Faculty of Humanities and Social Sciences at the University of Nottingham Ningbo China; David Day, Feiming Du; Magada Sun; Vivian Tu; Tiger Kang and Nick Wang
PY - 2024/4/30
Y1 - 2024/4/30
N2 - Elsa Potts is a mother, grandmother and widow. She has lived a colourful and full life that is slowly being taken from her. Elsa has mid-stage Alzheimer’s disease. Often her world is confusing and chaotic, her only constant being an old family heirloom; a compass from the First World War that belonged to Elsa’s grandfather.Fixated on the compass, Elsa believes it to be lost somewhere in the elevator of her residential building block. There, she stands watch, asking daily commuters for assistance in locating the object. Most people indulge her delusions, including Elsa’s daughter Sarah and her son Oscar, both of whom Elsa does not recognise. However youngest son, Ian is not so forgiving of his mother’s condition and enlists Sarah to help forcibly remove her from the elevator. Elsa panics and lashes out, unknowingly, at her own children. It is only when eldest son James arrives, still fresh in Elsa’s memories, that she abandons her post, leaving her family struggling in her wake.
AB - Elsa Potts is a mother, grandmother and widow. She has lived a colourful and full life that is slowly being taken from her. Elsa has mid-stage Alzheimer’s disease. Often her world is confusing and chaotic, her only constant being an old family heirloom; a compass from the First World War that belonged to Elsa’s grandfather.Fixated on the compass, Elsa believes it to be lost somewhere in the elevator of her residential building block. There, she stands watch, asking daily commuters for assistance in locating the object. Most people indulge her delusions, including Elsa’s daughter Sarah and her son Oscar, both of whom Elsa does not recognise. However youngest son, Ian is not so forgiving of his mother’s condition and enlists Sarah to help forcibly remove her from the elevator. Elsa panics and lashes out, unknowingly, at her own children. It is only when eldest son James arrives, still fresh in Elsa’s memories, that she abandons her post, leaving her family struggling in her wake.
KW - Short-Film
KW - Chinese
KW - Transnational Production
KW - ARRI
KW - AHRC
M3 - Digital or Visual Products
ER -