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Moving figures: class and feeling in the films of Jia Zhangke
Corey Kai Nelson Schultz
School of International Communications
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Keyphrases
Affective Experience
50%
Affective Quality
50%
Attitude Change
50%
Capitalism
50%
China's Transition
50%
Chinese Film
50%
Chinese Society
50%
Cinema
50%
Cultural Studies
50%
Economic Change
50%
Economic Reform
50%
Emotional Response
50%
Entrepreneurs
50%
Jia Zhangke
100%
Large Field
50%
Peasants
50%
Political Approach
50%
Raymond Williams
50%
Reform Era
100%
Social Change
50%
Social Class
50%
Social Transition
50%
Socialism
50%
Sociological Perspective
50%
Soldiers
50%
Structure of Feeling
100%
Symbolism
50%
Visual Culture
50%
Arts and Humanities
Affective
66%
Army
33%
Changing Attitudes
33%
China
33%
Cultural Studies
33%
Economic Change
33%
Emotional Response
33%
era
66%
Feelings
100%
Intellectuals
33%
Jia Zhangke
100%
Monograph
33%
Narrative
33%
Raymond Williams
33%
Reform
66%
Remake
33%
Structure of feeling
66%
Term Structure
33%
Tropes
100%
Visual Culture
33%
Social Sciences
Armed Forces
20%
China
20%
Chinese
80%
Cultural Studies
20%
Economic Change
20%
Emotional Response
20%
Emotions
100%
Intelligentsia
20%
Monograph
20%
Narrative
20%
Social Class
20%
Socialism
20%
Tuition Fee
20%
Visual Culture
20%