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Global Chinese Cinema: The culture and politics of 'Hero'
Gary D. Rawnsley, Ming Yeh T. Rawnsley
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peer-review
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Arts & Humanities
Chinese Cinema
100%
Hero
54%
China
28%
Aesthetic Attitude
19%
Asia
19%
Sex Love
19%
Cultural Identity
17%
Chinese Culture
17%
Blockbuster
16%
National Unity
16%
Political Values
16%
Scenery
15%
Artist
15%
Aesthetic Value
14%
Financing
14%
Film Industry
14%
Cultural Production
14%
Hollywood
12%
Popular Culture
11%
Portrayal
11%
Communist
11%
Interaction
7%
Social Sciences
cinema
78%
politics
36%
China
24%
film industry
18%
national unity
17%
technician
14%
popular culture
14%
role model
13%
cultural identity
13%
artist
12%
aesthetics
12%
love
11%
popularity
11%
violence
8%
gender
6%
interaction
6%