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The fluidity of soft power in YouTube’s broadcast of the Beijing 2022 Winter Olympic Games

Research output: Journal PublicationArticlepeer-review

Abstract

In an era of heightened geopolitical tension, marked by a dynamic power shift between the West and China, the 2022 Winter Olympic Games emerged as a focal point of diplomatic contention. Several Western nations signalled their dissent through diplomatic boycotts, while China, conversely, seized this platform to strategically enhance its soft power. This paper explores how the Chinese government utilized the 2022 Winter Olympic Games’ opening ceremony as a canvas for the portrayal of its national image, and examines the resonance of this portrayal with the global audience. The opening ceremony provided China with an unrivalled opportunity to express its cultural identity, political ideology and aspirations to an international audience. Consequently, this research delves into the intangible aspects of media and image perception, with a particular focus on the role of YouTube as a repository for live streams from the traditional broadcaster, Eurosport. It is crucial to understand that the depiction of national image and its perception by a global audience are not static, but fluid concepts, constantly shaped by the socio-political context. Therefore, this paper contributes to a nuanced understanding of the fluidity inherent in the construction and projection of China’s soft power. It sheds light on the intricate choreography of international diplomacy, media strategy and national branding.

Original languageEnglish
JournalGlobal Media and Communication
Volume20
Issue number3
Early online date18 Oct 2024
DOIs
Publication statusPublished - 18 Oct 2024

Free Keywords

  • Discourse analysis
  • Olympic media event
  • semiotics
  • soft power; YouTube audiences

ASJC Scopus subject areas

  • Communication
  • Arts and Humanities (miscellaneous)

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