Abstract
In 2020, social justice organization BLD PWR published a “Hollywood 4 Black Lives” letter calling on Hollywood to reckon with its role in state-sanctioned and white supremacist violence. BLD PWR garnered commitments from various studios and agencies to meet their demands; however, five years later, few meaningful changes have been made. We argue that this failure illustrates the need to reimagine how film and television can contribute to the Movement for Black Lives via investing in abolition. Adopting a futurist cultural studies approach, we propose abolitionist democracy storytelling as a framework for creating and evaluating entertainment media narratives that are rooted in realities without policing and prisons and developed via anti-capitalist forms and means of production.
| Original language | English |
|---|---|
| Journal | Television and New Media |
| DOIs | |
| Publication status | Published - Nov 2025 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 8 Decent Work and Economic Growth
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SDG 16 Peace, Justice and Strong Institutions
Free Keywords
- television
- film
- media industries
- power
- policing
- abolition
ASJC Scopus subject areas
- Communication
- Cultural Studies
UNNC RKE Industries & Areas
- Film, Television & Audiovisual Communication
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