Arts and Humanities
China
100%
Jia Zhangke
71%
era
60%
Army
54%
Affective
43%
viewer
39%
Reform
38%
Feelings
36%
fake
34%
Genre
33%
Soft Power
31%
Chinese Cinema
24%
Iconic
22%
Ruin
21%
Gaze
21%
Film tourism
21%
Beijing
21%
Architecture
21%
Tropes
20%
Public diplomacy
20%
Structure of feeling
19%
Discourse
17%
Emotional Response
17%
Economic Change
17%
Socialist
15%
British universities
15%
Empathy
15%
Visual Culture
14%
Virtual
14%
Jewishness
10%
Phenomenology
10%
Jewish Museum
10%
Treasure
10%
Jews
10%
Nanjing Massacre
10%
Sentience
10%
Commemoration
10%
School of Art
10%
Apprehension
10%
Essay writing
10%
Structure
10%
filmmaker
10%
Limits
10%
Heritage
10%
Film Theory
10%
Trauma
10%
Teaching methodology
10%
Case Study
10%
Under-graduate
10%
Film Festivals
10%
Keyphrases
China
81%
Jia Zhangke
78%
Soldiers
61%
Peasants
61%
Maoists
59%
Chinese Film
47%
Reform Era
44%
Soft Power
31%
Entrepreneurs
29%
Cinema
29%
21st Century
22%
New Man
21%
Celebrity
21%
Tourists
21%
Film-induced Tourism
21%
Empathy
21%
Public Diplomacy
18%
Structure of Feeling
17%
Performance Turn
15%
Tourism Studies
15%
Architecture Performance
15%
Filmmakers
15%
Article Analysis
15%
Museum
15%
Economic Change
15%
Chinese Cinema
15%
Traditional Chinese
14%
Visual Culture
14%
Affective Factors
13%
Social Change
12%
Mao Era
11%
Self-ethnography
10%
Amusement Park
10%
World Representation
10%
Jewish Museum
10%
Jews
10%
Internal Communication
10%
Internal Relationship
10%
Wreck
10%
Treasure
10%
Film Phenomenology
10%
Jewishness
10%
Nanjing Massacre
10%
Life-and-death
10%
Sentience
10%
Commemoration
10%
Design Critique
10%
Peer Group
10%
Art School
10%
Harbin
10%
