Arts and Humanities
China
100%
Jia Zhangke
59%
Army
49%
era
48%
viewer
38%
Genre
37%
Affective
35%
fake
33%
Soft Power
30%
Chinese Cinema
28%
Reform
27%
Feelings
25%
Iconic
21%
Ruin
20%
Gaze
20%
Film tourism
20%
Beijing
20%
Architecture
20%
Public diplomacy
19%
Film Studies
18%
Discourse
16%
Tropes
15%
Socialist
15%
British universities
15%
Empathy
14%
Emotional Response
13%
Virtual
13%
Economic Change
13%
Structure of feeling
11%
Contemporary
11%
Visual Culture
11%
Jewishness
10%
Phenomenology
10%
Jewish Museum
10%
Treasure
10%
Jews
10%
Nanjing Massacre
10%
Sentience
10%
Commemoration
10%
School of Art
10%
Apprehension
10%
Essay writing
10%
Structure
10%
filmmaker
10%
Limits
10%
Heritage
10%
Film Theory
10%
Trauma
10%
Teaching methodology
10%
Case Study
10%
Keyphrases
China
73%
Jia Zhangke
66%
Maoists
57%
Chinese Film
55%
Soldiers
55%
Peasants
55%
Reform Era
33%
Soft Power
30%
Entrepreneurs
25%
Cinema
25%
21st Century
22%
New Man
20%
Celebrity
20%
Tourists
20%
Film-induced Tourism
20%
Empathy
20%
Public Diplomacy
17%
Chinese Cinema
15%
Performance Turn
15%
Tourism Studies
15%
Architecture Performance
15%
Filmmakers
15%
Article Analysis
15%
Museum
15%
Traditional Chinese
14%
Affective Factors
12%
Economic Change
11%
Mao Era
10%
Self-ethnography
10%
Amusement Park
10%
World Representation
10%
Jewish Museum
10%
Jews
10%
Internal Communication
10%
Internal Relationship
10%
Wreck
10%
Treasure
10%
Film Phenomenology
10%
Jewishness
10%
Nanjing Massacre
10%
Life-and-death
10%
Sentience
10%
Commemoration
10%
Design Critique
10%
Peer Group
10%
Art School
10%
Visual Culture
10%
Harbin
10%
Fast Pace
10%
Reflection Representation
10%
